Saturday, July 24, 2010

Inception

Dreams. They are intensely important to me, personally. I based my NaNoWriMo novel off of recurring nightmares I'd been having for weeks on end. I I spent months before I began writing researching lucid dreaming, dream theories, questioning reality and its limits. So, you can imagine, the incredible amount of anticipation I felt while viewing  the Inception preview for the first time in theaters.  I thought 'This is my world!' and other unbelievable geeky things like that. Dreams, honestly, are the raw source of all my inspiration for writing anything at all. My dreams are where my creativity blossoms, its where my ideas and my voice is born. 


Enough about what dreams mean to me. I just wanted to get that out so you can understand exactly how high expectations I had for this film. I know high exceptions are bad, especially for someone like me, who tends to judge (ha ha, yes I'm a hater). Well, guys, I saw the movie today. And without farther a due, here are my thoughts:

The film kicks off in the middle of the excitement, leaving audiences to fend for themselves when it comes to explanations (they'll get used it). The first half hour seemed to drag, with scrappy acting on Leonardo DiCaprio's part. His character comes off as shallow and a tad boring. Things starts looking up with the arrival of Ellen Page's character (Don't ask me to pronounce her name in the film. It's something long--that starts with an A) and it begins to explore the limits of reality. We start to realize exactly how awesome (and dangerous) this dream realm is. We begin to explore the realities.



I think I had a problem with the way the director handled this aspect-dreaming-that is. My favorite part was when Ellen Page starting dreaming for the first time. I expected more like that. Inside, I got violent gunfights and dramatic car chases. Come on, guys! Absolutely any summer blockbuster I watch can give me gunfights. 

You've chosen to write a movie about dreams! So keeps the focus on dreams. Cut back on the music. I mean, there is no denying that it gives you an adrenaline rush, but sometimes silence is the scariest thing there is. Don't be afraid to step outside the viewers comfort zone. Make it as awkward and dreamlike as possible. Dreams are the most tantalizing thing there is. Play with reality. Make my skin crawl! Please. I'm begging you. 


This film as so much potential. Don't get me wrong-it delivers! As we go deeper and deeper in the subconscious (this is why the movie is two hours and forty five minutes long), layer upon layer, dream within dream, the thrill builds. But that's it. The film leaves confusion where it trails and it leaves my imagination heavily unsatisfied. Now, let's talk about the my second favorite part.....THE ENDING. 



I've mentioned various times before how much I love twisted-you'd never see it coming-surprise endings. Really, nothing heightens my respect for a film that endings that whip around all of your previous assumptions  and cause audiences to gasp in unison. You know the kind. Shockers. 

On the this account no film knows how to handle shocker endings quite like Inception. Whoa. If you've seen the film, you know where I'm coming from. If you haven't, what are you doing reading this post anyway? Just when you think Inception will tie up with nice, sweet, formula happy ending, you get a hint that it might all have been.....a dream? I swear to God, this ending will no doubt keep me up all night attempting to unravel it. 

In the universe of my mind, this ending is either genius of sloppy. It asks questions and leaves them unanswered. Or does it actually ask you to think and work it out for yourself? I guess it's up to us to decide (no sequels please!)





2 comments:

  1. Lovely post, Sam! Some thoughts:

    1. I don't think the dreams were meant to be like real dreams. They're purposely built by a dream architect, to be inhabited by someone else. In this way, they're like films. Think of the movie as an exploration of the art of filmmaking.

    2. The ending was interesting for a couple of reasons. One is that the spinning top only mattered to us, the audience ... Leo's character spun it and walked away, not caring to look back ... which means he didn't care whether he was living in a dream or reality -- he just wanted to live it. Another thing that made it interesting is it poses the ultimate question: does it matter if we're in a dream? What makes reality better than a dream? How can you tell the difference?

    3. If Inception is about filmmaking, then the idea of planting an idea into someone's head through dreams is interesting ... what idea is the director Nolan planting into our heads? He created the dream we were sharing in Inception ... which means he planted the idea by going several levels into dreamworld with us. The idea would be something really basic, simple, emotional ... something we believed we came up with ourselves. What was it?

    4. Your criticism of the movie's action sequences was good, but I think he purposely drew on film noir and heist movie history for this movie ... I actually love those genres and loved to see his take on them, and his twists. There were TONS of movie references in this film ... from Citizen Kane to 2001: A Space Odyssey to Italian Job and more. Fun to watch!

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  2. Sam! Great post. I felt the same about it being a bit boring in the first part. I also agree that the ending was awesome. It gave me an eerie feeling and led me to question whether I was dreaming or not. I love dreams too. I find them pretty fascinating. Nice work!

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